أَفَمَن شَرَحَ ٱللَّهُ صَدْرَهُۥ لِلْإِسْلَٰمِ فَهُوَ عَلَىٰ نُورٍۢ مِّن رَّبِّهِۦ ۚ فَوَيْلٌۭ لِّلْقَٰسِيَةِ قُلُوبُهُم مِّن ذِكْرِ ٱللَّهِ ۚ أُو۟لَٰٓئِكَ فِى ضَلَٰلٍۢ مُّبِينٍ
So is one whose breast Allah has expanded to [accept] Islam and he is upon a light from his Lord [like one whose heart rejects it]? Then woe to those whose hearts are hardened against the remembrance of Allah. Those are in manifest error.
Introduction
This is āyah 22 of Sūrat Az-Zumar (The Troops), the 59th sūrah in the traditional order of revelation. It was revealed in the Meccan period and sits within Juzʾ 23. Meccan verses tend to address faith, the oneness of God, and the hereafter.
This introduction is a starting point — the community and Bilal will enrich it over time.
Revelation & occasion
- Period
- Meccan
- Order revealed
- 59 of 114
- Surah
- Az-Zumar (39)
Is he whose breast God has expanded for the submission, so he is upon a light from his Lord? Woe to those whose hearts are hardened against the remembrance of God. Know that the Adamite's heart has four curtains: The first curtain is the breast, the lodging place of the submission's covenant, in accordance with His words, “Is he whose breast God has expanded for the submission?” The second curtain is the heart, which is the locus of the light of faith, in ac- cordance with His words, “He wrote faith in their hearts” [58:22]. The third curtain is the mindful heart, the pavilion of contemplating the Real, in accordance with His words, “His mindful heart did not lie about what he saw” [53:11]. The fourth curtain is the smitten heart, the place of put- ting down the saddle-bags of love, in accordance with His words, “He smote her heart with love” [12:30]. Each of these four curtains has a characteristic, and the Real gazes upon each. When the Lord of the Worlds desires to pull one who has fled from Him with the lasso of gentleness into the road of His religion, He first gazes upon his breast, so that it may become pure of caprice and innovation and so that his feet may go straight on the avenue of the Sunnah. Then He turns His gaze to his heart so that it may become pure of this world's defilements and of blameworthy character traits, such as self-admiration, envy, pride, eye-service, greed, enmity, and frivolity. Then he may go forth on the road of scrupulosity. Then He gazes on his mindful heart and keeps him back from attachments and created things. He opens the fountainhead of knowledge and wisdom in his heart. He bestows the light of guid- ance on his heart's center point, as He said, “so he is upon a light from his Lord.” Then He gazes on his smitten heart-a gaze, and what a gaze! A gaze that embellishes the spirit, brings the tree of joy to fruit, and awakens the eye of revelry; a gaze that is a tree whose shadow is companionship with the Friend, a gaze that is a wine whose cup is the recognizer's heart. When this gaze reaches the smitten heart, it lifts it up from water and clay, and the lover steps into the street of annihilation.
Tafsir
Hafiz Ibn Kathir
Chains of transmission
Oral — isnād
- ~610–632 CERevelation & memorisation
Received by the Prophet ﷺ and preserved by the ḥuffāẓ (memorisers) among the Companions.
- 1st century AHMutawātir transmissionawaiting curation
Carried by mass-transmission through the generations of qurrāʾ.
- TodayLiving chainsawaiting curation
Continuous ijāzah chains link reciters today back to the Prophet ﷺ.
Verified isnād chains for this āyah will be added by curators.
Written — the manuscript record
- ~650 CEʿUthmānic codicesawaiting curation
The standardised muṣḥaf sent to the great cities (e.g. the Topkapı and Samarqand codices).
- 8th–10th c.Early Ḥijāzī & Kūfic foliosawaiting curation
Surviving leaves in Birmingham, Sanaa, Paris (BnF) and beyond.
- Modern printModern printawaiting curation
The 1924 Cairo edition → today: the standard printed muṣḥaf used worldwide.
A curated chain of manuscript images for this exact āyah — roughly one per century — is coming. Help us source and verify them.
And now — what do you think?
The text, its history and the classical commentary are laid out above. Share your own understanding, ask a question, or reason with others.
Community resources
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