خَلَقَكُم مِّن نَّفْسٍۢ وَٰحِدَةٍۢ ثُمَّ جَعَلَ مِنْهَا زَوْجَهَا وَأَنزَلَ لَكُم مِّنَ ٱلْأَنْعَٰمِ ثَمَٰنِيَةَ أَزْوَٰجٍۢ ۚ يَخْلُقُكُمْ فِى بُطُونِ أُمَّهَٰتِكُمْ خَلْقًۭا مِّنۢ بَعْدِ خَلْقٍۢ فِى ظُلُمَٰتٍۢ ثَلَٰثٍۢ ۚ ذَٰلِكُمُ ٱللَّهُ رَبُّكُمْ لَهُ ٱلْمُلْكُ ۖ لَآ إِلَٰهَ إِلَّا هُوَ ۖ فَأَنَّىٰ تُصْرَفُونَ
He created you from one soul. Then He made from it its mate, and He produced for you from the grazing livestock eight mates. He creates you in the wombs of your mothers, creation after creation, within three darknesses. That is Allah, your Lord; to Him belongs dominion. There is no deity except Him, so how are you averted?
Introduction
This is āyah 6 of Sūrat Az-Zumar (The Troops), the 59th sūrah in the traditional order of revelation. It was revealed in the Meccan period and sits within Juzʾ 23. Meccan verses tend to address faith, the oneness of God, and the hereafter.
This introduction is a starting point — the community and Bilal will enrich it over time.
Revelation & occasion
- Period
- Meccan
- Order revealed
- 59 of 114
- Surah
- Az-Zumar (39)
He created you from one soul and then made from it its mate. He created heaven and earth and day and night to show the creatures the attribute of His power. They come to know that He is perfectly powerful, an artisan without contrivance, and they take His artisanry as evidence of His unity. He created Adam and the Adamites to make them the treasury of the secrets of Eternity and the target of the gentle favors of generosity. “I was a hidden treasure, so I loved to be recognized.” “I had an incomparable Essence and attributes, so there had to be recognizer. I had infinite majesty and beauty, so there had to be a lover. I was an ocean of mercy and forgiveness beating its waves, so there had to be an object of mercy.” The other created things had nothing to do with love, for they never saw in themselves a high aspiration. The one with high aspiration is you. The angels have straight and orderly work because there was no talk of love with them. The treasures and intimations put into the Adamic makeup were not placed in them. The ups and downs of the Adamites, their bewilderment and confounded- ness, contraction and expansion, sorrow and joy, absence and presence, togetherness and disper- sion; the drafts mixed with poison in their hands, the swords hanging over their necks-they have all these because a whiff of love's rose reached their nostrils. Passion for You turned me into a tavern-goer like this- otherwise I was safe and orderly. Abū Yazīd BasṬāmī said, “Once I was craving the wine of passion in the seclusion of 'I am the sitting companion of those who remember Me.' I was bold, and I carried a heavy load of trials for my boldness. I had tasted many drops of tribulation. I said, 'O God, Your stream is flowing-how long will I be thirsty? What sort of thirst is this that I see one cup after another? “Who has ever had a state rarer than this? I'm thirsty and clear water is flowing before me. “'Exalted of the two worlds! How often will you become hidden, how often apparent? The heart is bewildered, the spirit distracted. How long this curtaining and self-disclosing? When at last will there be the everlasting self-disclosure? O God, how long will You call and drive away? I have melted in wanting the day in which You stay.
Tafsir
Hafiz Ibn Kathir
Chains of transmission
Oral — isnād
- ~610–632 CERevelation & memorisation
Received by the Prophet ﷺ and preserved by the ḥuffāẓ (memorisers) among the Companions.
- 1st century AHMutawātir transmissionawaiting curation
Carried by mass-transmission through the generations of qurrāʾ.
- TodayLiving chainsawaiting curation
Continuous ijāzah chains link reciters today back to the Prophet ﷺ.
Verified isnād chains for this āyah will be added by curators.
Written — the manuscript record
- ~650 CEʿUthmānic codicesawaiting curation
The standardised muṣḥaf sent to the great cities (e.g. the Topkapı and Samarqand codices).
- 8th–10th c.Early Ḥijāzī & Kūfic foliosawaiting curation
Surviving leaves in Birmingham, Sanaa, Paris (BnF) and beyond.
- Modern printModern printawaiting curation
The 1924 Cairo edition → today: the standard printed muṣḥaf used worldwide.
A curated chain of manuscript images for this exact āyah — roughly one per century — is coming. Help us source and verify them.
And now — what do you think?
The text, its history and the classical commentary are laid out above. Share your own understanding, ask a question, or reason with others.
Community resources
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